Cool! Blackmagic Pocket Cinema Camera shoots pictures in space!

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What you see here on top is a frame from a video shot with the [shoplink 49834 ebay]Micro Four Thirds BlackMagic Pocket Cinema Camera[/shoplink] sent with a ballon on the space frontier! The lens Keisuke Iwaya used to shoot this is the [shoplink 49835 ebay]Panasonic Lumix G Vario 7-14mm f/4.0[/shoplink]. The video can be seen here:

Fusen Ucyu – BMPCC GOES TO SPACE from Raitank on Vimeo.

Keisuke writes:

“Fusen Ucyu (Baloon Space) Project” is a young ambitious amateur astrophysicist, Keisuke Iwaya’s private mission to send various cameras up to space beyond the earth’s atmosphere with Meteorological balloons to shoot beautiful images of our blue planet.

On 20th of July, 2014, Blackmagic Pocket Cinema Camera was sent up for the first time with Atomos NinjaStar, with 128GB CFast card, to capture the whole two-hour-long journey from the ground to 28.5km (17.7mile) peak at stratosphere, and free-fall back to the Mother Earth.

Newshooter writes:

Going into space was going to push the camera to its absolute limits. The BMPCC is only rated to work in temperatures between 0-40c. The camera also had to free fall for 30 minutes and then survive the impact once it came back to earth. The team designed several features that enabled all the equipment to return intact and operational.

The amazing pictures of the tools they used can be seen at raitank.jp/archives/18184. What a great project!

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Finally a really great article about “Sensor Crop Factors and Equivalence” from Nasim Mansurov!

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On 43rumors plenty of commenters keep saying that there is a “4 times factor” difference between Full Frame and Micro Four Thirds. For those people a f/2.8 PRO zoom from Olympus actually has an “equivalent” Full Frame aperture of f/5.6. Now, while I agree that this is in a very abstract theory correct… it is actually absurd and wrong if you look at the full aspects of the camera technology.

And without me having to explain you why it is so just read the super well written “”Sensor Crop Factors and Equivalence” article written by from Nasim Mansurov on Photographylife. Particlualry point 8) Total Light explains you why that “virtual equivalence” made by so many bloggers and commenters is de facto nonsense:

8) Total Light
“Equivalence” created another ugly child: total light. This theory, which is brought up by some photographers, says that smaller sensors get less total light than larger sensors just because they are physically smaller. That’s how they explain that small sensors have worse noise performance / overall image quality. That a full-frame sensor looks cleaner at higher ISOs than say Micro Four Thirds, just because its sensor area is four times larger. I don’t know where these theories originate from, but I fond the idea of “Total Light” and its relevance to ISO absurd. Explaining why sensor of one size has a cleaner output when compared to a smaller sensor just because it is physically larger has one major flaw – it is actually not true once you factor in a couple of variables: sensor technology, image processing pipeline and sensor generation. If larger sensors did receive more “total light” than smaller sensors, then every full-frame sensor made to date would beat every APS-C sensor, including the latest and greatest. Consequently, every medium format sensor would beat every full-frame sensor made to date. Is that true? Absolutely not. Just compare the output of the first generation Canon 1DS full-frame camera at ISO 800 to a modern Sony APS-C sensor – have a peek at this review from Luminous Landscape and have fun comparing. Surprised to see APS-C beat full-frame? No, not really. Newer sensor technologies, better image processing pipelines and other factors make modern sensors shine when compared to old ones. Simply put, newer is better when it comes to sensor technology. APS-C has come far along in terms of noise performance, easily beating first generation full-frame sensors in terms of colors, dynamic range and high ISO performance. CMOS is cleaner than old generation CCD that struggled even at ISO 400! Until recently, medium format cameras used to be terrible at high ISOs due to use of CCD sensors (which have other strengths). But if we look at the theory of “total light”, medium format sensors are supposed to be much better than full-frame just because their sensor sizes are bigger. But if we look at high ISO performance and dynamic range, it turns out that it is actually not the case. So these folks now add a few words / disclaimers at the end of their statements like “as long as the sensors are of equal efficiency and generation”. When we talk about aperture or shutter speed, there is no such thing as a new generation aperture and shutter speed, and yet they think they can slap on those words for sensor performance. Don’t be fooled by such statements, as they make no sense. The theory of “total light” is too darn confusing, so it is not worth wasting time on.

Thanks Nasim Mansurov for bringing down that discussion to a very “practical – reasonable” level :)

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New Panasonic CM1 review and interview with Panasonic engineers.

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The Panasonic CM1 project leaders (Image source DC.watch).

If you are curious to learn more about the Panasonic CM1 1 inch smartphone camera check out the review at EosHD part one and part two. And he writes:

Panasonic are in a tricky strategic situation with this kind of device. It has to be high end and it is. But being high end, it has to compete against the best smartphones in the world as a smartphone and the best compacts in the world as a camera. It is neither. Too many compromise to get them in the same body it seems.

A full Japanese interview with the CM1 developers can be read at DC.watch (google translation here).

 

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Great big new Cyber Monday deals: 25% off on all refurbished Olympus cameras and lenses!

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Today only you get 25% off on all Olympus refurbished stuff for sale at GetOlympus (Click here). Use coupon code “CYBER25” to get the huge discount. You get that rebates on all MFT cameras (Click here), lenses (Click here) and accessories (Click here). Example: With that discount you pay $479 only for the E-M10 with kit lens.

Cyber Deals pages at Amazon (Click here), BHphoto (Click here), BestBuy (Click here), Adorama (Click here), Panasonic Store (Click here) and GetOlympus (Click here).

More new Cyber Monday deals:
Gold Box deals on PNY and Transcend SD cards at Amazon US (Click here).
30% off on any book (including photo books) at Amazon US (Click here).
Olympus M.Zuiko 40-150mm Lens for Free with the Olympus E-M10 at Amazon (Click here).
LF1 for $249 at Panasonic Store (Click here).
$67 off on the 256GB(!) PNY card at Amazon (Click here)
$17 off on the PNY High Performance 32GB High Speed SDHC Class 10 at Amazon (Click here).
Over 25% Off Select Samsung EVO Flash Memory Cards at Amazon (Click here).
$9 off on the SanDisk 32GB Extreme UHS-I Speed Class 3 SDHC Memory Card at BHphoto (Click here).

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(FT4) GF and G lines are “on hold”. GM sales not as good as expected?

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So what’s next with Panasonic?

1) A trusted source told me Panasonic is focusing on the GH an GM line evaluation. And while they have many different prototypes in their labs the “GF” and “G” line are “on hold”.

2) Another source also told me the new “Panasonic GM” line sales have not reached their targets. While the GH4 definitely exceeded all best expectations.

I hope sources will soon tell me what Panasonic camera is coming in 2015. Just for fun: Let me know what Panasonic system camera you would consider to buy:

I would consider to buy...

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For sources: Sources can send me anonymous info at 43rumors@gmail.com (create a fake gmail account) or via contact form you see on the right sidebar. Thanks!
For readers: Don’t miss any news. Join our group on facebook and follow our tweets.

Rumors classification explained (FT= FourThirds):
FT1=1-20% chance the rumor is correct
FT2=21-40% chance the rumor is correct
FT3=41-60% chance the rumor is correct
FT4=61-80% chance the rumor is correct
FT5=81-99% chance the rumor is correct

 

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A bit of everything…

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Panasonic LX100 Hands-on Review feat. Lok in London

Panasonic LX100 review at ThePhoBlographer.
Panasonic Varicam 35 Has a duel native ISO of 800 and 5000. How do they do it? (Newsshooter)
Panasonic GM5 test at Dc.watch.
Panasonic TZ60 review at Camerahoarders.
Limited Number of Panasonic’s DMC-CM1 to Make a Welcome Arrival to the UK (Panasonic UK).
40-150mm PRO lens test at Kasayapa
Nur echt mit…. und News zum Kamerabuch zur E-PL7 (Pen And Tell).

Riccardo:gh3 + 14-42 @ real world studios http://youtu.be/97hdejRoEvU

Ivan Mazza:GH4 4K reportage in Sicily on Youtube“.

Mohammad: http://vimeo.com/112092478 Captured using GH4 with Panasonic 12-35 2.8 & 35-100 2.8

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