a bit of everything…

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How to Use a Circular Polarizing Filter (CPL) Like a Champ

Olympus TG-870 First Shots: Comparing the ultra-wide 21-105mm eq. waterproof to the competition (Imaging Resource).
Blackmagic Micro Cinema camera: first impressions by DP Sam Morgan Moore (Newsshooter).
Natural Light vs Off-Camera Flash: An Eye-Opening Demonstration (PetaPixel).
Panasonic GX8 Review (TheOnlinePhotographer).

Union Station, KC. The Man at the Piano in 4K from Pier-Yves Menkhoff Films on Vimeo.

Pier (video above):I only used the DMC-GX80 accompanied by 2 lenses : The Olympus 12mm F / 2.0 and the 45mm F / 1.8. No tripod except the mini Manfrotto Pixi. The editing was made with Final Cut Pro X. No image correction. It is voluntary. I really enjoy to use the DMC-GX80. However, I have one regret. I would have liked that the GX80 has the volume and the weight of the GM1. The GX80 is too close to the GH4. It is not enough discreet on places where it is forbidden to film. Specially in France which pretends to be a Country of Freedom. I never had problems in USA, Germany, Switzerland, Etc. Enjoy the Man at the Piano !!!”

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Panasonic 100-400mm reviews by Admiringlight and Lenstip

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We got two new Panasonic 100-400mm lens reviews. Spoiler: Admiringlight likes the lens while Lenstip thinks it’s overpriced.

Admiringlight writes:

In all, though, the complaints are fairly minor and the upside to the lens is outstanding. The compact size, outstanding reach and good optical stabilizer combine to make this truly a handholdable supertelephoto option, something that is rare in the photography world. If you like to shoot birds, wildlife or sports from a distance, this lens should definitely be on your short list.

Lenstip writes:

The physical dimensions are undoubtedly the main asset of this lens. Its range of focal lengths and the fact that in the frame centre it is able to provide photos of a quite sensible quality mean you can take it for long hikes without worrying that you’ll overexert your spine. Add to that very solid workmanship, a very efficient autofocus and good correction of the majority of optical aberrations.

Leica 100-400mm store links: [shopcountry 60373].

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Close look at the new Leica 12mm f/1.4 reviews…

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Three_12mm_pose1_745

Back in April I reported about the new 12mm Leica lens (rumor article here). And now that it has been officially announced let’s check out if the lens is as good as advertised by Panasonic.

CameraLabs compared the lens with the Olympus 12mm f/2.0 and 7-14mm f/2.8 lenses:

The Leica Summilux 12mm f1.4 kicks-off the comparison in isolation as the only lens in the group to open to f1.4. There’s visible vignetting darkening the image, but look beyond this and you’ll see an image that’s still impressive crisp and detailed. Close it to f2 and the vignetting essentially goes away, while the Olympus 12mm f2 joins the battle. The Olympus crop wide-open at f2 suffers from vignetting, but you’ll also see that it’s softer than the Leica Summilux – indeed it’s lacking the crispness and details of the Leica when the Leica is at its maximum aperture of f1.4.

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ePhotozine tested the lens on the GX80 and writes:

Regardless of the technical results, this is a lens that produces images that look fantastic. Some might argue that’s actually what a lens is for and we need look no further than that. When we do examine the detail, the overall standard of sharpness is very good indeed, but becomes outstanding at the centre over most of the aperture range. This high standard shows up the effects of diffraction with the fairly soft results at f/16 and it is probably a wise decision not to include the option of f/22.
No lens is perfect, but we have here a very exciting prospect for MFT format users with a lens that provides a unique bright f/1.4 aperture and excels at producing superb images. Lovely.

Photographyblog writes:

The Panasonic Leica DG Summilux 12mm f/1.4 ASPH is an outstanding ultra-wide-angle prime lens. It’s exceptionally well-built, weather-proof and delivers fantastic image quality at both the centre and edges of the frame, even when shooting wide-open at f/1.4, and the very welcome aperture ring makes it quick, easy and precise to set this key element of exposure.

Preorders:
12mm f/1.4 at BHphoto. Amazon. Adorama. Panasonic US. WexUK. ParkCameras.

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