Katten Bjoernen used the new Panasonic 100-300mm lens. He also alerts you that: “This is not proper way to make any conclusion. This is prematur in all what that words stands for.
When i get 1.0 SW there will a better version to make conclusion out from.” Meanwhile also Hybridcams.fr posted some image samples taken with the new Panasonic GH2.
The TTH Cooke Vidital 1.3/30mm lens is handamade lens and this is the first time we see a UK made lens on a Micro Four Thirds camera! As the author says: “You can´t find a second of this lenses in a helix like this, it is nearly unpossible to find a 30mm Vidital. It is a really unique lens.” You can see a set of image samples on Flickr: http://www.flickr.com/photos/cinegon/
That is the tetx posted by the author on eBay: “I made a helicoil by my self, I´am using a brass/alumium combination to make it very solid, this helix allows a focus range between infinity- ~ 12cm. So it is useable as a macro lens too. The helix has no stop position to close focus, so it is possible to use the full lenght of it, for the future it is easy to unscrew it when a cleaning or new lube is needed. The focus ring has six screw sticks for an easy handling, the aperture ring has a large diameter too, believe me, it is perfect for handlig, specially for movie making. The lens is useable with MFT cameras without any dark corners in all modes. The lens has a wonderfull bokeh, better then the Speed Panchros has. The lens is 100% made in England.
The lens were made in a time when TTh and the American lens makers decide to engrave the lenses with the transmitted speed, so it is marked with T1.5 the F speed is F1.3 Later TTH went back to the F stop engraving because the Japanese and German lens makers do it also and a lens with F1.3 is better for selling than one with T1.5.”
The most interesting news are:
- The GH2 will be available in December (In Europe)
- The camera has the firmware version 0.2
- Panasonic ensured that the redesign of the circuitry of the sensor and image processor has improved sensor performance over the previous model in regard to noise control.
- The contrast autofocus speed is over four times faster than the contrast AF of the Canon 5D and seven time faster than the Sony NEX-5!
This test was done purely as an experiment to evaluate its performance as a Film making /Television production tool. We did not test it against charts or other cameras, we simply took it for a test drive in what we thought would be its optimal conditions. Our goal was not to find its faults or decide its place in the market nor was it to choose sides in the ever political best camera debates. We are cinematographers who love their craft and love the tools that give us this ability.
We only had the camera for a few hours so we decided to keep it simple.
The camera is capable of 35mm lenses, so we used a PL adapter and Zeiss Ultra Primes , choosing from our set as we saw fit on the day. We chose to record on the on-board SD cards with the AVCHD codec at 24 mbs but we also opted to use the HDSDI output, recording at 100 mbs on the AVC Intra HD codec to P2 cards. We opted to do this rather than recording to Nanoflash simply to keep it all Panasonic native.
We chose this work-flow as we simply wanted to see this camera in the very best light possible.
We also had a sound recordist on location who used a dual channel radio link to the camera via its standard XLR inputs.
This is a prototype, so there were some technical issues, Panasonic assured us that it would be rectified in the production model. Our test scenes had to be limited to indoor locations as a consequence. It was a temperature related issue.
This footage is edited from the 100mbs files, ingested and edited natively mainly because it was easy. This footage was not graded, altered or manipulated, straight off the files and exported to Vimeo for your viewing pleasure. In fact we even used the natural sound rather than using music so that you can evaluated the footage for yourself.
In an interview with DSLRmagazine Sven Dabelstein, Anne Guennewig and Monica Puértolas from Panasonic confirmed that the upcoming Panasonic GF2 will not have the new GH2 18 megapixel multiaspect sensor. They also said that they didn’t want to give that sensor to Olympus for the Olympus E-5 because “each firm should reserve a space to develop differentiated products with unique technologies.“. They cannot say now if the Micro F0ur Thirds 25mm f/1.4 will be a Leica labeled lens like the current Panasonic/Leica 25mm f/1.4 for Four Thirds. They are also playing with the idea to make Tilt-Shift lenses.
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Etymology: Middle English rumour, from Anglo-French, from Latin rumor clamor, gossip; akin to Old English rēon to lament, Sanskrit rauti he roars
Date: 14th century
1: talk or opinion widely disseminated with no discernible source
2: a statement or report current without known authority for its truth
3 archaic : talk or report of a notable person or event
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