GH5II at BHphoto, Adorama, Amazon. Calumet DE, Park Uk.

Amateur Photographer tested the GH5II and concluded:

There’s a wealth of options for creatives looking for a true hybrid camera at the sub-£2000 price bracket. Including the original GH5, which bears a lot of resemblance in many ways to this latest Lumix offering. So why shouldn’t you just buy a GH5? Firstly, although it hasn’t officially been discontinued, it’s pretty much “end of life” now and hard to find brand new anywhere. Secondly, the improvements incorporated into the GH5 II bring it in line with many of the features and functionality that hybrid shooters will expect from their main camera at this time. Small additions such as the ability to stream directly from the camera via app or tether, and USB-C power delivery, make a huge difference in terms of how you can utilise its capabilities. The same can be said for its compatibility with larger capacity BLK22 batteries. Then there’s the nice-to-have upgrades, such as including V-Log L as standard and the additional cine-centric picture profiles.
The GH5 was already a solid Micro Four Thirds stills camera with a decent resolution 20.3MP sensor, fast burst mode shooting capabilities up to 12fps, weather sealing and dual SD card slots. Now the GH5 II adds AR coating to its sensor, improved focusing performance, a brighter touch screen and enhanced stabilisation correction. The GH5 II doesn’t represent a huge generational leap in performance, but it introduces a set of meaningful enhancements that broadens its appeal, making it an even more reliable and versatile workhorse than its popular predecessor.