This is how many Megapixels a camera should have to match the human eye…

You ever wondered how many megapixels a camera should have to match the resolution of the human eye? Well the answer is really incredibly complex. At the end we can only make an approximation and 576 Megapixel should be enough for the eye to get fooled by the image as it would be “real”.
Here is the video that explains why you would need that resolution:
a bit of everything…
Lumix G100 Review // As bad as people say??
Reviewing the Olympus OM-2 and OM-2 N cameras (Camera Commentary)
What to Look for in a Photo Printer (42West).
LUMIX Academy | BGH1 Anamorphic Setup
Getting Started with Monolights for Portraits (Explora).
Plenty of news on the facebook OMD group, Panasonic FF and the GH5 group.
Panasonic Lumix DC-GH5 II added to studio test scene

Dpreview added the GH5 II to studio test scene:
At base ISO there’s no appreciable difference between the GH5 II and the original version. There’s a slight improvement in apparent sharpness, but this is likely to be due to the use of a more expensive lens on the newer model. As with the original GH5 there are hints of moiré, which makes sense, given the absence of an anti-aliasing low-pass filter.
At very high ISOs there appears to be a slight ISO advantage to the newer camera, but it’s not sufficient to make a visible difference at lower ISOs. The JPEG engine appears to be tweaked a little to hold onto a little more detail in low light, though.
There’s not enough of a difference in color response for us to conclude whether this has been adjusted, though there’s a hint of the more muted caucasian skin tones shown by the GH5S. Overall, then, not much difference you’re likely to notice in day-to-day shooting.
Delving a little further in dynamic range, in our exposure latitude test, the deep shadows of the GH5 II’s files look a touch noisier than those of the existing camera, which contradicts the numerical assessments made by DxOMark and PhotonstoPhotos. This could be the result of mis-calibration of the black point in Adobe Camera Raw, which doesn’t expect you to use the extreme deep shadows of images (ie the last few stops of dynamic range), but we’re not seeing the improvements reported when we look at the images.
a bit of everything…
Why I’m With Olympus: Tesni Ward
TT Artisans 7.5mm f2 FISHEYE For Micro Four Thirds – TESTED! (Zenography).
LUMIX Academy | BGH1 LUMIX Tether for Multicam /Advanced
The Ethics of Wildlife Photography (Explora).
Photography for Beginners Guide (42West).
Plenty of news on the facebook OMD group, Panasonic FF and the GH5 group.
(FT5) GH6 will be released Q1 2022 and will include some sort of hybrid AF

GH6 specs at BHphoto
A source told us this:
GH6 will be released Q1 2022
AND will include some sort of hybrid AF
I am sure Panasonic will share more GH6 specs this autumn but with the worldwide chip shortage it’s very likely you will get the camera in your hands by early 2022 only. I guess hybrid AF means we can expect to get both: phase and contrast detection AF!
a bit of everything…
Panasonic Lumix DC-G9 – Long Term Review
Panasonic Lumix G85 Hands on Review (Camera Zone).
LUMIX Academy | BGH1 Populate the same camera settings to multiple cameras
10 Unique Macro Lenses (Explora).
Artisan 50mm f/0,95 review at Xitek.
Plenty of news on the facebook OMD group, Panasonic FF and the GH5 group.




