OM Digital officially registered a new camera in Asia. Is it the new “wow” model?

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The camera body with the code “IM027” has been registered in Asia by OM Digital Solutions. The registration says it is equipped with Wi-Fi (2.4GHz / 5GHz) and Bluetooth.

I got no real details about this camera yet, all I have been told is that the “WOW” camera will be on market in early 2022. And it will not be a E-M1X successor. It will have more the size of a classic E-M1 body.

via Nokishita

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Amazon EU launches one week of limited deals

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Today Amazon EU stores have launched a new 1 week long deal event. European readers can find them on those pages at Amazon.de, Amazon.co.uk, Amazon.fr, Amazon.it, Amazon.es.:

Amazon Germany:
Save big on Olympus cameras and lenses at Amazon Germany.
Save big on Sandisk cards at Amazon Germany.
Save big on Samyang MFT lenses at Amazon Germany.

Amazon UK:
Save big on Sony compact cameras on Amazon UK.
Save big on Sandisk cards at Amazon UK.

Amazon France:
Save big on Panasonic cameras at Amazon France.
Save big on Sandisk cards at Amazon France.

Amazon Italy:
Save big on Sony cameras and photographic accessories at Amazon Italy.

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This is how many Megapixels a camera should have to match the human eye…

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You ever wondered how many megapixels a camera should have to match the resolution of the human eye? Well the answer is really incredibly complex. At the end we can only make an approximation and 576 Megapixel should be enough for the eye to get fooled by the image as it would be “real”.

Here is the video that explains why you would need that resolution:

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Panasonic Lumix DC-GH5 II added to studio test scene

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Dpreview added the GH5 II to studio test scene:

At base ISO there’s no appreciable difference between the GH5 II and the original version. There’s a slight improvement in apparent sharpness, but this is likely to be due to the use of a more expensive lens on the newer model. As with the original GH5 there are hints of moiré, which makes sense, given the absence of an anti-aliasing low-pass filter.

At very high ISOs there appears to be a slight ISO advantage to the newer camera, but it’s not sufficient to make a visible difference at lower ISOs. The JPEG engine appears to be tweaked a little to hold onto a little more detail in low light, though.

There’s not enough of a difference in color response for us to conclude whether this has been adjusted, though there’s a hint of the more muted caucasian skin tones shown by the GH5S. Overall, then, not much difference you’re likely to notice in day-to-day shooting.

Delving a little further in dynamic range, in our exposure latitude test, the deep shadows of the GH5 II’s files look a touch noisier than those of the existing camera, which contradicts the numerical assessments made by DxOMark and PhotonstoPhotos. This could be the result of mis-calibration of the black point in Adobe Camera Raw, which doesn’t expect you to use the extreme deep shadows of images (ie the last few stops of dynamic range), but we’re not seeing the improvements reported when we look at the images.

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