Omar, usually a full-frame and medium format shooter, tries Micro Four Thirds (OM-3) for the first time. He’s impressed by the small size, retro design, and lens compactness. Build feels good but lacks front grip. He appreciates the OM-3’s travel-friendly setup, though it’s not ideal for one-handed use. He’s intrigued by the system’s potential and excited to explore it more.

Zach Mayfield focus of the review is the OM System OM-3 as a filmmaking tool.

The camera’s standout feature is its adjustable in-body stabilization (IBIS), which can be tuned for strength. The default IS-2 mode already delivers gimbal-like steadiness. It includes a digital teleconverter (usable in photo and video), zebra warnings, tally lights, a red recording frame, and a 1/48 shutter option for natural motion blur. Rolling-shutter performance is excellent, avoiding “jello” effects.

Essential Setup Tip
Switch the codec from H.264 (8-bit) to H.265 (10-bit C4K up to 60 fps). The H.265 footage looks dramatically better—richer color, less banding, and full-sensor readout in long-GOP mode.

Color and Log Performance
OM-Log 400 isn’t as flat as Sony S-Log3 but is easy to grade. In DaVinci Resolve there’s no direct CST, so use the official OM Log 400 → Rec.709 LUT or build a grade manually. The reviewer praises its natural skin tones, smooth highlight roll-off, and surprisingly clean image even in low light for a Micro Four Thirds camera.

Downsides
Despite being MFT, the body is larger than expected and not pocketable even with a small prime. It’s also relatively expensive—at a similar price point you could consider a capable full-frame hybrid. Still, the overall build and feature balance justify the cost for many creators.

Verdict
The OM System OM-3 is an impressive everyday hybrid: strong 10-bit video, excellent IBIS, great colors, and refined design in a compact form. Not the cheapest or smallest, but easily one of the most satisfying all-around “Everyday Cinema Carry” cameras available today.