After a very long time and many issues I am now very close to change the 43rumors layout. If you want to see how the new 43rumors site will look just jump over at MirrorlessRumors.com where 80% of the changes have been made. Just in very short this is what I changed:
– Much faster website loading time
– Remove one google ad on the left and tried to make look the advertising less present
– Mobile theme optimization

43rumors will still get some minor layout and color differences compared to MirrorlessRumors.com. But I now want to ask you:

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Olympus OMD-EM5 Mark II In Depth Discussion

8 Things Owning an Olympus Says About You (Digitalrev).
Panasonic GX8 And Manual Focus Nikon Fit Lenses – Samyang 14mm F/2.8 And 85mm F/1.4 Lenses – Nikon Df (Soundimagesplus).
Olympus AIR english manual (olympusamerica.com/files/oima_cckb/AIR_A01_MANUAL.pdf).
Best lenses for the Olympus E-PL7: 36 lens round-up (DxOmark).
Panasonic Lumix Ambassador Programme Will Inspire Panasonic Fans (ePhotozine).
Panasonic GF7 Field Test Part I: Big on features, not on bulk (Imaging Resource).

Craig: “Had some fun with the LX-100 for a few hours. Impressed with the 4k capabilities! https://vimeo.com/137069370“

SLR magic announced a set of Anamorphot 1.33x lenses which do come in different mounts and among them MFT.

And this is the official SLR Magic press release:

—

Hong Kong, China (Sept 9th, 2015) – SLR Magic is proud to announce the SLR Magic ANAMORPHOT-CINE 2x lens set for indie filmmakers.

As a commitment to the film industry, SLR Magic developed the SLR Magic ANAMORPHOT-CINE lenses to deliver the classic contrast, distortion, chromatic, color aberration, and flare characteristics of vintage anamorphic lenses, but with the convenience of a matched lens set without the hassle of aligning and matching lenses to the already popular SLR Magic Rangefinder with Anamorphot adapter combination.

To achieve the much loved scope aspect ratio, which gives a very pleasant, epic effect, filmmakers must crop off the top and bottom of standard 16:9 footage when using spherical lenses with modern digital cameras. As a result, 25% or more sensor/negative information is discarded.

This 2x anamorphic lens help filmmakers to maximize their image quality by preventing this loss of vertical resolution. The unique 2x squeeze factor uses the entire 4:3 sensor/negative area to achieve the desired 2.66:1 aspect ratio. The SLR Magic ANAMORPHOT-CINE 2x does this by compressing a 100% wider field of view to fit the width of the 4:3 sensor/negative without compressing image height.

The SLR Magic ANAMORPHOT-CINE 2x create a unique “artifact” such as horizontal lens flare, commonly referred to as anamorphic streaks, and may create slightly elongated bokeh. Over the history of cinema, these same stylish effects have contributed to the cinematic “look” of epic motion picture photography. Characteristics that shape this anamorphic “look” come from “front-mounted” anamorphic designs such as the SLR Magic Anamorphot while “rear-mounted” anamorphic designs have more suppressed anamorphic characteristics.

The SLR Magic ANAMORPHOT-CINE 2x lenses will be available for viewing at:

The IBC show in Amsterdam, Netherlands from September 11-15 in the Atomos booth in Hall 9 Stand D.25 and in the Convergent Design booth in Hall 11 Stand A.38

The Photo Plus show in New York, USA from October 22-24 in the Panasonic Booth 445

Technical Data:
SLR Magic ANAMORPHOT-CINE 35mm T2.4
SLR Magic ANAMORPHOT-CINE 50mm T2.8
SLR Magic ANAMORPHOT-CINE 70mm T4

Lens Type: Anamorphic lens
Squeeze factor: 2x
Camera mode: 4:3 Anamorphic
Objective front filter thread: Φ82
Mount: micro four thirds
Lens Coating: Multi Coated
Close Focus: 3’6
Weight (oz./g): 47.9/1,360
Length (cm): 19.25
Diameter (cm): 10
Suggested aperture setting: T4-5.6
Image Circle: mFT for 35mm T2.4, S35 for 50mm T2.8 and 70mm T4

MSRP
$2,499 for SLR Magic ANAMORPHOT-CINE 35mm T2.4
$2,999 for SLR Magic ANAMORPHOT-CINE 50mm T2.8
$2,999 for SLR Magic ANAMORPHOT-CINE 70mm T4

DJI announced their newest Micro Four Thirds mount Drone named Zenmuse X5 and X5R. They booth shoot 4K videos with the latter (X5R) recording in lossless RAW.

The surprising news is that they also have a new 15mm f/1.7 MFT lens! Everything is on preorder at http://store.dji.com/

You can now download and install the new GH4 firmware 2.3. Here are the updates:

1. “Activation function” is added in the menu which enables the camera to comply with “V-Log L” function by using Upgrade Software Key “DMW-SFU1”.
   * Follow the Installation Guide bundled in the Upgrade Software key “DMW-SFU1”.
   About extended function of V-Log L for DMC-GH4.
2. Recording can be paused or stopped with a press of Fn1 button in [Time Lapse Shot] despite the length of shooting interval.

Olympus Northamerica issues an official statement where it promises to repair al E-M10II cameras having a lock pin issue. The full press text can be downloaded as PDF:

Olympus has discovered that the lens lock pin on a small number of OM-D E-M10 Mark II cameras has malfunctioned, causing certain lens es to detach from the mount. No reports of this issue have been received from within North America, however, it has been determined that camera s sold within North America may also be susceptible to this issue when connected to plastic mount lenses. The Olympus lenses that could be affected are limited to five: M.ZUIKO DIGITAL 14 – 42mm f3.5 – 5.6 L, 14 – 42mm f3.5 – 5.6 II, 14 – 42mm f3.5 – 5.6 II R, 40 – 150mm f/4.0 – 5.6 and 40 – 150mm f/4.0 – 5.6 R. It is important to be aware that this issue poses no risk of personal injury or property damage other than potentially damaging the lens itself from its detachment from the mount unexpectedly. As a  result, Olympus is offering a free  inspection and  repair program  for owne rs  of  the  OM – D E – M10 Mark II with serial numbers located  within the limited lots that  have been affected

Thanks Olympus for reacting that quickly! I hope similar service will be announced soon for Europe and other regions too.

Found via Imaging Resource