a bit of everything…

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Best Compacts and Mirrorless Cameras 2017

Panasonic GX8 & 15mm ƒ/1.7 review by Marius Masalar
What Picasso Can Teach Us About Filmmaking (ThisGuy).
Ethical Photography: Where Do We Go From Here? (Luminous Landscape).
Plenty of news on the facebook E-M1II group and the GH5 group.

Chermicum:MFT sensor has an advantage over FF due to larger DoF. This quite extreme macro video was shot with Panasonic GH5 camera and Olympus 60mm macro objective:
https://youtu.be/Bq1awUmqZcM
It would have been impossible with larger sensors due to too small DoF.

 

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Weekly 43rumors readers pictures roundup…

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Mason Morris
Dual-Core #Apple.
Get Olympus EM1.m2 & #ZuikoPro 8mm f/1.8 #m43 43rumors

1) You can share your pics by using posting on our 43rumors Facebook page (Click here).
2) All 43rumors readers pictures can be seen here: https://www.facebook.com/43rumors/posts_to_page/. Like the pictures you like and chat with the authors if you want to know how they took the shot!
3) The most liked pictures and some pics selected by myself will be posted weekly on 43rumors

This is the weekly selection:

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a bit of everything…

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Megapixels: What Are They And Do They Matter

Panasonic HC-X1 review by CameraHoarders
Rise of the Chinese optics (Leonard Goh).
Ultralight backpacking photography with the Olympus PEN-F (Dpreview).
avoiding clichés with travel photos (Olympus Imagespace).
Plenty of news on the facebook E-M1II group and the GH5 group.

Marc:Here’s our newest installment of Advancing Your Photography: I visited Edward Weston’s house last week and had a tour of it from his grandson Kim Weston. https://youtu.be/bUAKoiRhLR8
This contains very rare information behind Weston’s iconic photographs: How long were his exposures (4-6 hours) and did he use an f/stop higher than 64? Your audience will find out about his approach to photography and composition that they can use to develop their own voice as a photographer. 
We incorporated a 1948 film produced by the US Dept of Information, and photographed and Directed by Willard Van Dyke, a fellow member of Group f/64—we decided to produce our footage in black and white to pay homage to Weston’s B/W work.

 

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