The ideal camera (ergonomically) by Cameraergonomics.
#Lumixwalk eerste aflevering (1) introductie @snippephotography (Youtube).
Превью обзор фотокамеры Panasonic Lumix G9 (Catode).
– How to Choose the Right Camera for You (Explora).
Izhar: “I’ve just received the ZCam E1 M4/3 camera which now costs 250$ on B&H.
I made a first test video and I’m really happy about it!
Please publish it on your “a bit of everything “ update.
Thanks,
Izhar https://vimeo.com/245460492”
Today and tomorrow you get 12% off EX & EX+ Grade Cameras and 15% off EX & EX+ Grade Lenses with code “EX12A” at KEH (Click here). The list of cameras includes MFT, FT and the gorgeous OM3.
Canon c200 vs Panasonic G7 – BLIND image Comparison!
The best times of day to capture great landscape shots (Olympus Imagespace).
6 Tips For Moving Time-Lapse Videos with the Cinetics Lynx (Explora).
Flickr reports uploaded photos from DSLR increased while mirrorless stalled (Mirrorlessrumors).
Gear of the Year 2017 – Jeff’s choice: Olympus Tough TG-5 (Dpreview).
Mark: “I have used the Olympus 50-200 SWD lens for half a decade for sports and other professional photography. For the past 3 years on an E-M1 with MMF3 adaptor.I recently had the opportunity to use both the new 40-150 PRO and my usual lens back-to-back during 6 days of shooting at two national sporting events. I was hoping to answer the question: Does the new lens offer huge benefits versus the 50-200 SWD or should I keep my existing lens? Both are highly capable optics and the answer is not clear cut. I think it depends on several aspects and my thoughts are shared in a blog post which is available here: http://flightlevel42.co.za/40150PROReview.html“
The new Olympus 17mm PRO lens is set to start shipping out next month. Mirrorlessons posted the full review of this lens:
The M.Zuiko 17mm f/1.2, despite its excellent optical performance, is more of a niche product than any other PRO lens released to date. This is because its fast maximum aperture only brings a tangible benefit to certain kinds of photographers – namely professionals who shoot environmental portraits or who work in poor light conditions on a regular basis. For all other genres that require a moderate wide angle, such as street, documentary, or landscapes, the f/1.2 aperture and the beautiful bokeh that accompanies it is a nice bonus but far from a necessity.