In an interview with DSLRmagazine Sven Dabelstein, Anne Guennewig and Monica Puértolas from Panasonic confirmed that the upcoming Panasonic GF2 will not have the new GH2 18 megapixel multiaspect sensor. They also said that they didn’t want to give that sensor to Olympus for the Olympus E-5 because “each firm should reserve a space to develop differentiated products with unique technologies.“. They cannot say now if the Micro F0ur Thirds 25mm f/1.4 will be a Leica labeled lens like the current Panasonic/Leica 25mm f/1.4 for Four Thirds. They are also playing with the idea to make Tilt-Shift lenses.
As you might now I am a happy Olympus E-P1 owner. So let me make some free advertising for that camera
It’s my opinion that unless you need a specific camera for work it doesn’t make sense to spend a lot of money to buy a digital camera. You don’t make better pictures only because you buy an expensive camera. Your ceativity is what matters! I also do believe that it is better to save money on a body and spend more for lenses. A good lens last for years if not decades!
And now you have the chance to get a Micro Four Thirds cameras for cheap. The Olympus E-P1 is a real bang for the buck! I also noticed that the E-P1 is on of the few products that doesn’t charge an extra price for europeans. The US-EU prices are almost equal (Thanks Oly!).
Let’s start with the E-P1 deals in Europe:
A friend of mine was looking for the white E-P1 and found a great deal on Pixmania Italy. The white E-P1 + 14-42mm lens for 390 Euro at Pixmania Italia (Click here to see the deal). The lens alone costs almost 300 Euro! And the same deal is also available at Pixmania France (Click here).
Pixmania Deutschland is offering the E-P1 + 14-42mm lens for 389 Euro and for both WHITE and SILVER kits (Click here to check this deal). But Germany is full of online stores and you can find it even cheaper here at EG-electronics (349 Euro). Also Pixmania Spain has both colored E-P1 kit for 399 Euro (Click here)
Our UK readers can get the WHITE E-P1+14-42mm lens for £319 at Pixmania UK (Click here to see this deal).
Please undertsand that I have no time to check all online stores in all diferent europeancountries. My goal is only to give you an idea about the current E-P1 prices. You can also check eBay to see current E-P1 auction (Click here) to see a more large palette E-P1 deals.
As you see Mirrorless cameras are becoming cheaper and they are not more expensive than a high-end compact with small sensor like the Panasonic LX5 or a an entry level DSLR like the Canon Rebel. Panasonic and Olympus should make a huge marketing campaign to promote the Micro Four Thirds cameras in that price segment!
Two sources told us that Zeiss is taking into consideration to make a Micro Four Thirds “version” of the current 15.5-45mm f/2.6 Zoom lens. The sources told us the lens could be available by mid 2011.
That would be a very nice lens to use on the new AG-AF100 (Click here to preorder the camera at BHphoto). Anyway the price is really far too high and the the focal length not so optimal. Only a professional filmmaker will consider to buy it. I guess for us “poor” IndieFilmmaker’s the Olympus Zuiko 12-60mm f/2.8-4.0 is a far more affordable choice. It covers a much more interesting focal lenght, it has autofocus and it’s damn cheap (check out current auctions on eBay). If you need a faster zoom you can get the Olympus Zuiko 14-35mm f/2.0 Lens. And finally Panasonic itself promised us to make a bright zoom lens (to be announced in February-March 2011?).
The new Olympus E-5 has been a heavily criticized camera since it was announced. Now Olympus Marketing wants to prove that the E-5 camera has indeed a top image quality. So almost every known website published image samples and first Hands-on. Steve Digicam’s published a long list of image and video samples on his website. Robin Wong published his E-5 conclusions and published a lovely request to the Olympus community: “Let the world see who we are, and what we can do with Olympus.“. Noisycamera also found a user review inside the dpreview forum. Zone-10 published the first and second part of the camera comparison. And Brandoneu published his first part of the personal E-5 review.
The Panasonic AG-AF100 is the first professional Micro Four Thirds camcorder. According to BHphoto the camera will be in Stock within 6-10 weeks. The price without lens is $4,795.00 (Click here to preorder the AG-AF100).
We collected some of the recent comments made by Barry Green at DVXuser forum:
– In PH (24Mbit/s) mode the AF100 supports uncompressed LPCM audio in addition to the AC-3 audio supported by the HMC series.
– Three chips still deliver superior color to a single-chip system. The reason everyone’s going with a single chip is NOT increased color fidelity; a Bayer chip is inferior to three chips for color fidelity, and that’s why every broadcast camera on the market has three chips and a prism. But there are some things that just can’t be done with three chips — primarily, emulating the way a film camera works and the ability to use lenses that have been developed for film cameras. A single sensor directly emulates the way a film sensor works, and you don’t need to make accomodations in the lens design for a beam-splitting prism.
– I expect we’ll see many comparisons just like the 5D vs. Red comparisons, where people show a whole bunch of shallow-DOF headshots and say “see, the 5D is just as good as the Red One.” If people shoot AF100 vs. 5D/7D and they limit themselves to those kinds of shots, then they’ll probably look quite comparable and there won’t be any “blowing away” going on. Where the AF100 will be hugely superior is in wide-angle deep focus shots, in terms of actual resolved detail, and in features and usability.
– So, is AVCHD a “step down” from DVCPRO-HD? In some ways, yes, in some ways no. It’s 4:2:0 instead of 4:2:2. And it’s long-GoP instead of intraframe. However, it’s also 2001-era technology, vs. 2010-era technology. So would it be fair to say that AVCHD can deliver comparable images as compared to DVCPRO-HD? Possibly. An intriguing question.
– DVCPRO-HD is 4:2:2, but it also prefilters the recording resolution down from 1920×1080 to 1280×1080. AVCHD is 4:2:0, but it retains the full 1920×1080. So DVCPRO-HD will have twice the color resolution but only 2/3 the horizontal resolved detail.
– And DVCPRO-HD is bulletproof as far as motion artifacting, whereas AVCHD is a long-GoP codec. However, as a long-GoP codec, it’s really good; I compared it against XDCAM-EX and found AVCHD to be much more robust regarding motion artifacts from cases where the codec gets overloaded. So while it isn’t a true intraframe codec, it’s much less susceptible to the issues that caused long-GoP codecs to get the reputation they got in the early days of HDV.
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Etymology: Middle English rumour, from Anglo-French, from Latin rumor clamor, gossip; akin to Old English rēon to lament, Sanskrit rauti he roars
Date: 14th century
1: talk or opinion widely disseminated with no discernible source
2: a statement or report current without known authority for its truth
3 archaic : talk or report of a notable person or event
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